Tuesday, February 6, 2018

The Milford Track

In the south-west corner of New Zealand lies the Fjordland National Park. It contains several classic walks, the most famous of which is the 'Milford Track'. Because it is so popular, it is necessary to book it a year before you want to go. In the course of the last year I developed a dodgy knee, with MRI evidence of a torn medial meniscus, and I have spent several months worrying whether the whole project might be too hard. 

Fjordland gets about 200 days of rain a year, and inclement conditions are very common.

In the event, we have been extremely lucky. My knee responded to various treatments, and the weather was perfect.

There had been several weeks drought before we arrived, which is not ideal for the waterfalls which are a feature of the walk. We started on Thursday February 1st. Heavy rain began the night before, and 200mm of rain were dumped over 36 hours. Snow on the tops. Although that sounds bad, for us it was fine, as the first day was spent being taken by coach from Queenstown to Lake Te Anau, and then boat to Glade House. Thus we were under cover for most of the day, and the waterfalls were topped up nicely.

There were 49 trampers in the guided group, and four guides. Roughly 25% Americans, 25% Japanese, 25% Australian, and the rest miscellaneous. Alan was a delightful young Mexican travel vlogger, with 1,300,000 followers.

Check out his video of the trip. Its in Spanish, but his enthusiasm transcends language.




The plan was:

Day one. (Thursday 1st). Coach and boat from Queenstown to Te Anau and walk to the beginning of the track.
Day two (Friday 2nd). 16 kilometres fairly flat along the Clinton River to Pompolona Lodge.
Day three (Saturday 3rd). 15 kilometres climbing 664 metres over Mackinnon Pass to Quintin Lodge. Optional extra 4 km walk to Sutherland Falls (580m high).
Day four (Sunday 4th). 21 kilometres along the Arthur Valley to Sandfly Point on Milford Sound to be taken by boat to Mitre Peak Lodge.
Day five. (Monday 5th). Cruise Milford Sound. Coach back to Queenstown.

And thus it came to pass. First day it poured cats and dogs.


Then fine weather for the three critical days. Gushing waterfalls. Just beautiful!


George crossing the bridge from Glade House


Ready to go


Snow on the mountains above Glade House in the night


Alan the happy vlogger from Mexico


Brian in the wetland


Sean from Cape Cod


Sundew. It eats insects.


Lichen


The Clinton River


Clinton Valley


Hundreds of waterfalls



Off to Mackinnon Pass


Lots of bridges


Clinton Gorge


Approaching Mackinnon Pass


Climbing the Mackinnon Pass on a hot day. Snow on the tops.


From the top of the pass, looking back down the Clinton Gorge.


Next down to the Arthur Valley


Descending


Quite a cold wind on top of the pass


A beautiful cascade of waterfalls



Soft fern


Kea


South Island Robin


Sutherland Falls


Below the falls


Arthur Valley


Mission accomplished!


Moods of Milford Sound 



A note on photography

The photographic challenge of the Milford Track, and other similar NZ valley walks, is that there is an extreme dynamic range between the bright sky, and the dark mountains. Cameras cannot see as well as our human eyes, with the result that the bright bits get 'blown out' to pure white, and the dark bits get reduced to pure black. So the photos seem a bit disappointing compared to what we remember seeing.


This is the original photo of the Arthur Valley, shot straight from the camera.

See the histogram at top right. The spike on the left represents all the blacks in the picture, spilling off the edge. The spike on the right is the whites. Not a lot in the middle.

The clouds are 'washed out' to white. The bush is nearly black. With your eyes, you would see both the clouds in the sky, and the green colour of the bush.

I used a technique called High Dynamic Range (HDR) to counter this. By shooting three photos in quick succession, with the first under-exposed by 2 stops, the second (see above) set normal, and the third over-exposed by 2 stops, and then combining them with software called Aurora HDR 2018, the three get combined, lifting the colours.


   
    Under-exposed (see clouds)                          Normal               Over-exposed (see colour in shadows)

When combined with HDR they look like this.


See how the histogram has changed to bring out the mid-tones. Hopefully more like what we actually saw.

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